The best way to learn to spot a conspiracy theory is to make one yourself.
Pick a real news story. On the next step you'll choose who's behind it and why. Then walk through the four moves real conspiracists use, with a debunk on every step.
Choose whichever real-feeling headline your imagination will run wildest with. Don't overthink it.

Comedy writers and performers say telling a good joke is harder than it looks: timing and delivery can make or break a punchline. Jokes work by surprising the listener with an unexpected twist, clever wordplay, or absurd imagery that creates a vivid mental picture. Short, sharp jokes often land best because they set up an idea quickly and then flip it — for example, an Edinburgh Fringe-winning pun: "I started dating a zookeeper, but it turned out he was a cheetah."

Online tools now let anyone view past versions of websites, exposing changes that site owners may have made over time. The Wayback Machine at archive.org stores snapshots of millions of pages, while archive.today preserves copies that sometimes survive when other archives don’t. The Memento Project links these services and helps users search by URL and date, making it easier to see how pages, policies, and content evolved.

Ellis Pinsky, who grew up in Irvington, New York, has been linked to a large cryptocurrency theft that investigators say happened when he was 15. Authorities allege he orchestrated the theft of about $23.8 million in digital assets. By May 2020, masked intruders were reportedly trying to access some of the stolen funds, but Pinsky apparently no longer had the money. The case attracted attention because of the amount and the age of the alleged organizer.

Elizabeth Diller is a leading architect and founding partner of Diller Scofidio + Renfro, a firm known for projects that blur art, performance, and architecture. Trained at Cooper Union, she moved from visual art into architecture and co-authored the influential book Flesh, which challenged traditional ideas about buildings and spatial experience. Her work—including the High Line, the Blur Building, and The Shed—emphasizes experimentation, collaboration, and attention to how people use public space.