The best way to learn to spot a conspiracy theory is to make one yourself.
Pick a real news story. On the next step you'll choose who's behind it and why. Then walk through the four moves real conspiracists use, with a debunk on every step.
Choose whichever real-feeling headline your imagination will run wildest with. Don't overthink it.

Mick Jagger, the longtime frontman of the Rolling Stones, has been sharing unexpectedly ordinary moments from his tour life on Instagram. Instead of the usual glamorous or staged celebrity photos, his feed shows mundane outings—visits to local attractions, bars, strip malls and well‑known landmarks. He told The Washington Post that these images are less about spectacle and more about getting a feel for places, and he treats the account like a simple visual diary.

Brazil reported a major fall in Amazon deforestation in July: official figures say tree-clearing and burning dropped about 60 percent compared with the same month last year. The government and the environment minister attribute the decline to political changes and new administration policies, based on national monitoring systems. Scientists caution this reflects a single month and that short-term figures can be influenced by seasonal and reporting factors.

A recent study in New York, conducted between April 2019 and February 2020, tested whether recorded music could reduce pain in newborns during routine heel-prick blood tests. Researchers enrolled 100 infants and randomly assigned about half to listen to Mozart’s Lullaby before and during the procedure while the other infants received standard care without the music. Clinicians measured pain using standard scoring tools at baseline, during the prick, and after the procedure to compare responses.

Elizabeth Diller is a leading architect and founding partner of Diller Scofidio + Renfro, a firm known for projects that blur art, performance, and architecture. Trained at Cooper Union, she moved from visual art into architecture and co-authored the influential book Flesh, which challenged traditional ideas about buildings and spatial experience. Her work—including the High Line, the Blur Building, and The Shed—emphasizes experimentation, collaboration, and attention to how people use public space.