The best way to learn to spot a conspiracy theory is to make one yourself.
Pick a real news story. On the next step you'll choose who's behind it and why. Then walk through the four moves real conspiracists use, with a debunk on every step.
Choose whichever real-feeling headline your imagination will run wildest with. Don't overthink it.

Linguists have long thought that social context shapes grammar: communities with many non-native speakers, like trade hubs, were believed to favor simpler, easier-to-learn systems, while isolated, homogenous groups develop dense, specialized grammatical rules. A new study compiled measurements across about 1,300 languages to test whether languages used mainly by “societies of strangers” indeed show reduced grammatical complexity compared with languages used in more stable, insider communities.

William Friedkin’s 1977 film Sorcerer is a tense thriller about four desperate men hired to transport highly unstable explosives across dangerous, remote roads. Inspired by Georges Arnaud’s novel and echoing the earlier French film The Wages of Fear, Sorcerer aimed for a raw, realistic tone. Friedkin, fresh from the success of The Exorcist, pushed for authentic locations and intense performances to heighten the film’s unrelenting atmosphere.

Researchers at Speech Graphics, UC San Francisco and UC Berkeley report a brain–computer interface that helped a woman who lost speech after a stroke communicate again. Tiny electrodes were placed on the surface of her brain to record neural activity while she attempted to speak. That recorded activity was decoded into written text, a synthetic voice and real-time facial animation using software originally developed for video-game characters such as those in The Last of Us Part II and Hogwarts Legacy.

A recent YouGov–Cambridge Globalism Project survey finds that voters in Western democracies are more divided by identity and partisan loyalty than by specific policy positions. Researchers describe strong "affective polarization": people feel intense dislike for opposing groups even when those groups often share similar views on key debates such as sexism, racism, and economic policy. The findings challenge the idea that culture wars are mainly about conflicting opinions; instead, much conflict appears driven by who people see as "us" versus "them."